The crossfader curve can be adjusted, along with the curves of the EQs in the settings menu. You can assign each deck to the crossfader, or bypass it entirely if you want. The mixer The DJUCED 40 interface can look a bit cramped in four-deck mode especially with the mixer, but thankfully the graphics are quite minimalist and prevents the layout from becoming even more cluttered.ĭJUCED 40 comes with a standard three-band EQ, crossfader, headphone cues, and volume faders per deck. Not a lot of parameters to fiddle with there. Not so with DJUCED 40: Drop the loop / sample / one shot in, trigger it, done. That’s tricky, because choosing what to leave out in this scenario is harder than just going the whole hog, which is what Traktor’s Remix Decks are and often the reason why DJs pass on it – they’re just too capable. I was quite pleased with the way they worked – it was all pretty effortless, and the DJUCED team really did a good job of distilling just the essentials needed for this type of performance workflow (start / stop clips, volume adjustment for an entire column of clips instead of individually, effects for the entire deck, etc). There’s a sync and quantise option, which ensures that the clips launch in time with what’s going through the Master output. If you’re using the Hercules P32 DJ controller, you can launch them using the pads themselves. The Sampler decks have 4×4 grids populated with loops or samples that you can trigger. DJUCED 40’s Sampler decks consist of a 4×4 grid of loops and samples that you trigger either by clicking on them or by pressing the corresponding pad on the Hercules P32 DJ controller.
Each of the normal decks has all the usual looping controls, cue and cue play, pitch faders, and tempo/beat grid adjustments. There are eight different types of waveform colours to choose from (I just keep mine at default). There are two different kinds of decks in DJUCED 40: track player decks, which is where you drag your music files onto, and Sampler decks, which is where you can add loops and samples for triggering.
Not the best in the looks department, and this alone could turn some DJs off, but stick with me here… The Decks The Track deck has all your standard transport and looping controls, as well as hot cues and waveforms.
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Switching to four decks adds two Sampler decks in the middle of the screen as decks C and D, and while they don’t look as complicated as Remix Decks in Traktor Pro 2, they also don’t look as slick. The interface looks a bit like a cross between Traktor and Virtual DJ – the layout is a little bit cramped even in two decks mode, and looks quite dated.
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